InvenciÃ³n e interpretaciÃ³n' En:, El Greco arte y oficio, FundaciÃ³n El Greco 2014, 2014, pp. Pintor de lo visible y lo invisible, FundaciÃ³n El Greco, 2014, pp. Domenico Fetti. The two paintings also differ in terms of the quality of execution. I know I found myself often trying to save myself instead of letting God save me. CamÃ³n Aznar, JosÃ©1898-1979, Dominico Greco, I y II, Espasa-Calpe, Madrid, 1950, pp. Tokio Holy Face of Jesus 11x14 Picture Framed 16x20 w/Mat -Veronica's Veil. Mayer, A. L., Domenico Theotocopuli, El Greco, Munich, 1926, pp. It is noteworthy that Veronica and the veil are well-established elements in the Stations of the Cross, (a practice of the Catholic Church developed as symbol of the original pilgrimages made by early Christians in representation of Jesus' excruciating voyage to Golgotha. All products are produced on-demand and shipped worldwide within 2 - 3 business days. 32. His facial features -a serene expression with an intense gaze that recalls Byzantine models- reflect the precedent of El GrecoÂ´s The Disrobing of Christ 1577-79 (also known as El Expolio), in the Cathedral of Toledo. According to medieval legend, the veil belonged to a woman who took pity on Christ as â¦ This veil was given by a Vatican cardinal to a Spanish priest, Mosen Pedro Mena, who took it to Alicante, in southern Spain, where it arrived in 1489, at the same time as a severe drought. The closest written reference is the miracle of Jesus healing the bleeding woman by touching the hem of Jesus' garment (Luke 8:43–48); her name is later identified as Veronica by the apocryphal "Acts of Pilate". Fra Angelico. Wethey, Harold, El Greco y su escuela, II, Guadarrama, Madrid, 1967, pp. Head of Christ on the Sudarium, engraving by Claude Mellan (1649), a famous virtuoso piece consisting of a single line beginning on the tip of Christ's nose. At once, he went out of the church but did not find the bearer of the packet. CamÃ³n Aznar, JosÃ©, Dominico Greco, I, Espasa-Calpe, Madrid, 1970, pp.  From this limited view no image is discernible and it is only possible to see the shape of the inner frame. An image kept in Saint Peterâs Basilica in Rome is purported to be the Veil of Veronica revered in the Middle Ages. The Veil of Veronica by the Master of the Legend of St. Ursula, The veil of St. Veronica (Vera Icon), c. 1450. The Veil of Veronica, or Sudarium (Latin for sweat-cloth), also known as the Vernicle and often called simply the Veronica, is a Christian relic consisting of a piece of cloth said to bear an image of the Holy Face of Jesus produced by other than human means (an acheiropoieton, "made without hand"). Art and belief in the Spanish world, Indianapolis Museum of Art, 2009, pp. One tradition (Type I), common in Italian art, shows the face of Christ as full-bearded, in pain, scourged and perhaps crowned with thorns. PRIEST REDISCOVERS "VEIL OF VERONICA" Relic Stolen from Vatican in 17th Century. $17.  The earliest evidence of its existence is 1517 when the nuns were forbidden to exhibit it to avoid competition with the Veronica. 16.11.2018 - 03.03.2019, Velázquez and the Celebration of Painting: the Golden Age in the Museo del Prado Barcelona According to the story that developed during the medieval period, on His way to Calvary a woman offered Jesus a white cloth to wipe the sweat and blood from His brow, and the features of His face became imprinted on the cloth. Rather, the connection between the name Veronica and the legend of the veil, appears to have more to do with wordplay: the name may be a personification of the cloth itself, a vera icona or true image of ChristÂ´s features, constructed in blood and sweat and a symbol therefore of the human nature of the Son of God. Almost four centuries after its mysterious disappearance, German Jesuit Fr. Listed is this 19th-century Spanish colonial religious oil painting on tin. Ruiz GÃ³mez, Leticia, El Greco and workshop ' Holy Face' En:, Sacred Spain. The outside of the frame is relatively modern, while the inner frame is roughly made and corresponds to the cut-out pattern of earlier copies. Various existing images have been claimed to be the original relic, as well as early coâ¦ Like the Genoa image, it is painted on board and therefore is likely to be a copy. This relic was acquired by Pope Nicholas V from relatives of the Byzantine Emperor in 1453. After the Sack of Rome in 1527, some writers recorded that the veil had been destroyed: Messer Unbano tells the Duchess of Urbino that the Veronica was stolen and passed around the taverns of Rome. n 285. Madrid. n.51. , Very few inspections are recorded in modern times and there are no detailed photographs. Soehner, Halldor, Greco in Spainien. Search within the 74840 Museum website results. Toledo Rome is purported to be the same Veil as was revered in the Spanish world El... Handmade pieces from our shops 14.10.1999 - 17.01.2000, El Greco y su por. Modern times [ citation needed ] and there are two main traditions for the very best unique!, 1990, pp, El Greco, I, Espasa-Calpe, Madrid, 1908,.. Veil, possessing the Grace of God, has been said to quench thirst, cure,... From our shops Petrucci, a, Domenico Theotocopouli dit El Greco and workshop ' Holy Face of 11x14... Frame donated by one Sister Dionora Chiarucci in 1623 me about fear, contemporaneous writers make reference. 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